• Oracle

    Directed by Aaron Poole
    Canada | 9 minutes |

Oracle examines the point in a child’s life when anxiety and fear enter into their operating experience. As home renovations surround them, a boy continues his play and exploration; but the chaos of construction and the preoccupation of his parents is slowly internalized, manifesting in sleep-walking and an abstract fever dream that catapults his consciousness into adult realms of obsession and dread.

In competition for Best Midnight Short

film synopsis

film details

Director: Aaron Poole
Producers: Breann Smordin, Peter Harvey, Orlee Buium
Screenwriter: Aaron Poole
Cinematographers: Nikolay Michaylov
Editor: Orlee Buium
Music: blitz // berlin
Cast: Carl MH Brooks, Sarah Naomi Campbell
Country: Canada
Language: English
Year: 2019
Running Time: 9 minutes
Awards: National Competition Grand Prix, Festival du nouveau cinéma
Primary Company: dreampoolpicturecorp
Contact Email: breann@deigratiapictures.com
Website: https://www.instagram.com/oraclethefilm/

director biography

Aaron Poole is from Craighurst, Ontario, Canada. He trained classically as an actor and has appeared in over 100 pro- ductions for stage, film and series. With projects as varied as cult horror “The Void”, an upcoming David Bowie bio-pic, and a soon-to-be-released series alongside Christoph Waltz, Aaron’s diverse roles have garnered much acclaim and multiple awards. Oracle (TIFF ‘19) is his directorial debut. FILMOGRAPHY 2019 ORACLE (9 min, fiction, short)

A Word From Director Aaron Poole

"When I made the decision to write and direct for the first time I knew that I didn't want to explore the subject naturalistically.  I wanted to experiment with story in a way that was different from the kinds of things I get invited to act in. I wanted to test the minimum level of story I had to show and abstractly suggest connections and experiences between events. As an audience member, my hope is that it makes us lean forward more and project ourselves into the weird places where the story doesn't offer a clear path. That's exciting to me. In both the shooting and editing of Oracle, my crew and I discovered how this abstraction could elevate common excitement into a feeling of awe, and the kind of fear we're used to feeling into a deeper experience of dread."

2020 ShortFest Archive