| Mercedes-Benz Audience Award for Best Narrative Feature |
|
Starbuck
Ken Scott (Canada) |
| Runner Up |
|
Come As You Are, Geoffrey Enthoven (Belium) |
| Runner Up narrative films (alpha order) |
|
The Flowers of War (China), If I Were You (Canada), In Darkness (Poland), Monsieur Lazhar (Canada), Salmon Fishing in the Yemen (UK), Simon and the Oaks (Sweden), A Simple Life (Hong Kong), Sonny Boy (Netherlands), War of the Buttons (France), Wunderkinder (Germany) |
| Audience Award for Best Documentary Feature |
|
TIE:
The Girls in the Band, Judy Chaikin (USA); Wish Me Away, Bobbi Birleffii & Beverly Kopf (USA)
|
| Runner Up documentary films (alpha order) |
|
First Position: A Ballet Documentary (USA), Follow Me: The Yoni Netanyahu Story (USA), Shakespeare High (USA), The Story of Film: An Odyssey (UK), Vito (USA)
|
| FIPRESCI Award for Best Foreign Language Film |
|
The Turin Horse
Béla Tarr (Hungary) |
| FIPRESCI Award Best Actor |
|
Matthias Schoenaerts
Bullhead (Belgium) |
| FIPRESCI Award Best Actress |
|
Leila Hatami, Sareh Bayat & Sarina Farhadi
A Seperation (Iran) |
| New Voices/New Visions Award |
|
The House
Zuzana Liová (Slovak Republic) |
| John Schlesinger Award for Outstanding First Feature |
|
Tatiana Huezo Sanchez
The Tiniest Place (Mexico) |
| HP Bridging the Borders Award |
|
Terraferma
Emanuele Crialese (Italy) |
| Runner-up |
|
Le Havre
Aki Kaurismäki (Finland) |